molest and abuse stories3

[kassyS]

When we first find Cindy she is cutely clothed and sitting on her butt, her neck and wrists trapped in stocks hanging from a metal frame above her head. She cannot get up nor does she have freedom of movement. She tries repeatedly to obtain a more comfortable position, but the worst is yet to come. Several moments later we see she is in a strappado, where her arms and wrists are firmly secured to a heavy wooden post. She is completely bent at the waist, head pointed toward the floor, her back resting against the post itself, her arms stretched overhead.

A belt wraps around her neck and the post while a hook in her ass is tied up to the wooden post as well. Large black pieces of duct tape cover her eyes. It is a stressful position that has her awaiting what comes next. All she is wearing is a pair of black Converse Chucks. She desperately tries to find a way to stand that is more comfortable than the way before. frequently, she lifts one or the other leg in an effort to subdue the fatigue that has set in. Unable to see, if she lowers her ass she digs the hook in deeper, but standing with straight legs is becoming more and more difficult. By the time JR comes in to address her she is already crying, the hook in her ass shaking from the fatigue she feels throughout her body. When he shows up he stuffs The White Boy in her cunt and begins to fuck her with it vigorously. Immediately, she begins to wail, timed to the thrust of The White Boy. He pulls it out abruptly and then shoves it back in and fucks her hard, repeating the move several times. It sends her into a wailing that fills the room. He fucks her hard, fast and deep before pulling it out and pulling his own dick out. But not before he picks up a flogger and lays into her alabaster white buttocks. Over and over again, repeatedly.

On her asshook, on her ass cheeks, on her pussy itself. He whips her relentlessly, the whole while she cries out a like Middle-Eastern woman on the wailing wall. By now her entire body is shaking like a victim with a bad case of hypothermia. That is when he shoves his own cock into her. He makes her tell him what good her hole is, "For fucking", she says, in between sobs. He makes her thank him for the cock then violates her hole with force. When he finishes, he punishes her for enjoying it --even though she didn't.

say you love your mother, Cindy

urgghhh

SAY IT!!!


ARRRRGGGHHHHH



HEH HEH HEH HEH


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[kassyS]

Cindy continues her spree as Anchorage serial killer, and most wanted. She loves to go to night clubs, and venues to find beautiful young ladies to strangle and molest, taking them back home, taking care of business, then using other people in the community as scapegoats and perps for her framing ways. She has been a bit more careful and less frequent in her attempts since her first encounter with Detective Freya, and killing of her very first victim(Prequel not yet released) so she changes up a bit for her early run to the clubs to find a victim, this time it is a couple, that just met at the bar and have been offered and have taken ecstasy(a hallucinogenic, euphoric elicit drug that enhances feelings, but hinders decision making process) so as they sit on Cindy 's couch, the drug starts to take effect. As the killer makes drinks the two newcomers acknowledge the drug taking effect, and get excited about the threesome.

Cindy gets them started and then makes her move, getting the attention of the man, saying she should get him off while they wait for Karma to finish her drink. They all agree and she pulls out his cock and sucks him good, as the Karma party girl plays with herself and is getting rubbed off by the man. They are all excited, but the two new comers are really into it. She gets in the guys head as they undress Karma.

She asks him if he wants to try something new and fun, which he replies "YES" of course, so as she licks Karma's pussy he removes his belt and gets it around Karma's neck, who is in the moment and not protesting at all, she is seeming to get hot from it. Cindy gets closer and closer to the man, in his ear arousing him with her hands and kisses to the ear and neck, but also coaxing him to go further and further as the young party girl is choking more and more, turning different shades of red and purple as she loses air and is cut off completely. The man is getting off on it and Cindy continues to coax him being in his ear. Eventually Karma can take no more loss of air and dies, her arms and painted toes twitching, her eyes bugged out and blood shot from the lack of air and pressure straining. Her eyes are wide and her tongue barely protrudes.

Cindy makes the euphoric and completely loaded man think she came and is laying on the floor passed out. She moves the corpse and goes straight for his cock, sucking him off until he cums so she can harvest his DNA, to plant on all the victims and look like he is the real killer, and not Cindy . AS HE SHOOTS HIS LOAD IN HER MOUTH, SHE SNAPS HIS NECK AND HE DIES INSTANTLY, SHE FINISHES SUCKING TO GET ALL THE GOOD STUFF.. then lets his dick flop. She rag-dolls Karma's body but has a lust for some new blood so she plays with Karma's feet and licks her toes, molesting and rag-dolling the body, and moves the bodies to the South bedroom....Fade Out..



Fade in...
****** and Odette, traveling friends and rich party girls, up for a weekend of partying, enter with Cindy into her house. They sit at the bar as Cindy looks for wine she knows is not there. After some small talk Cindy breaks the embarrassing news that she is completely out of alcohol.

******, still wanting the party to go on, so as she leaves Odette continues to explain how the two met and their trips together, as Cindy is behind her removing her own heels and grabbing a thigh high out of her ottoman, and creeping behind her as she uses her soothing voice to continue the conversation. Before long Odette is up off the bar stool and in the air as Cindy takes her down and back off the chair on to the floor.

The tiny young lady, in a sexy dress and heels weighing 90 pounds, is going crazy, fighting like mad to get free from her clutches but Cindy has her good and the stocking is wrapped tight. Up-skirt views shows Odette not wearing panties and here shaved cunt showing as she bucks and fights Cindy . As she is on top of Cindy fighting she kicks off one heel, then slowly starts to fade, but passes out from lack of air before Cindy has a chance to finish the job.

Cindy is pissed this has not happened yet in all her kills, but she uses it to try something new. she rolls the body off like a pile of sticks that crumble to the rug, then undresses Odette, checking her shaved pussy and then her tiny tits as she molests the tiny young ladies body. She molests her limp playing her arms, rag-dolling Odette back and forth, showing how limp she is. As she is about to do more the car comes up the gravel driveway.

It is ******, so Cindy hurries to pick up the body, stocking still around her neck and takes her to the bed with the other bodies. She hurries back to the kitchen and ****** comes in with the bottle of wine, and as she gets to the bar, sees that Odette is not there.


Cindy explains that Odette wasn't feeling well so she let her pass out in her bed, and points to the Bedroom right by the front door, and "while she opens the wine, ****** should check on her friend." The scene fades as she walks towards the bedroom and Cindy grabbing a cable from a laptop, comes behind her........Scene fades


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[kassyS]

Part 1 (Our list of �?demands’. Sorry!)

1.1. We wanted a Hollywood/24/dark serious feel rather than �?light’ James Bond. Ultra-highdef, 60frames per second if you can manage that with the lower-light levels. Otherwise use a bit more light rather than lower the quality (Sorry, not trying to tell you your job, I just love the way 60fps looks). Want the light to reflect off her giant sweaty boobs and body.

1.2. We wanted this film to start by creating fear. I want to feel the shivers when I see the torture devices (even though they’re not being used). I want to feel the helplessness of the victim strapped in the chair. I want the butterflies in my stomach when I see the fear in her eyes and the gag in her mouth. That is all more important than a bit of sexy-woman-in-restraints-fun which I can buy just about anywhere these days. I’m after the �?experience’ that I hope you can make.

1.3. No creepy music please! Obviously, you can do what you want to the one you sell on your excellent website, but we'd like the version that you give us to have no music. Want it as 'real' as possible.

1.4. I know I said it last time, but the victim's noises are important to us. She's a tough soldier, so no whimpering. Just the screams!

1.5. I've attached some pictures for the type of thing we wanted, (ignore her handcuffs, we want leather for this, and a leather belt around her neck. If her legs keep closing, then by all means get a belt around her thighs and make it dig into her flesh).

1.6. No sound effects on the electro torture (the buzzing/clicking of the taser is fine. But no fake sounds for the jump lead-sponges). Most shocks on her boobs and vagina of course!

1.7. Victim wearing -tags the whole time. Maybe a discarded army uniform and boots on the floor, but not too important. Hair pulled back into a tight ponytail at the start, it’s going to get disheveled and greasy later.

1.8. She must be covered in sweat the whole time. We want to see it rolling off her body. Like a south-American torture-basement at 130 degrees, so hot she can barely breathe. And that’s before the integration even begins. In the past I’ve done things like covering bodies in oil or Vaseline or some other kind of water-repellent. And then splashing/ spraying water makes it look like covered in sweat. But gallons of good old lube regularly applied might be just fine. Leave it in your capable hands. Just watched a film of your husband oiling your tied boobs. Wow they looked good reflecting lights.


1.9. Very important: The actress must make certain noises (We DON'T want high pitched squealing, she is going to be a tough soldier, so more guttural tough-girl sounds and screams. We just find that the 'wrong' sounds breaks the fantasy)


1.10. This is the VERY important part for us. The torture is supposed to hurt! Too many of your competitors treat an electro-shock like a stubbed toe. We want her to flex out of the chair and scream from the bottom of her lungs, rather than say "Ow!". We want to see her body strain with each shock. She's biting down on the gag and screaming through the gag. Really needs to let it out of her lungs.


1.11. Very important: The actress mustn't shimmy or make little movements to escape her bondage. She's a tough woman, so she's straining at her bonds. Biceps flexing, muscles standing out, neck straining. That kind of thing. We want to see her muscles strain against the leather! If you need to add straps over her thighs and biceps, that is fine.


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2. Part 2: The Setup


2.1. Cindy ’s a tough soldier (wearing -tags the whole time). She’s strapped to a chair, legs spread, arms behind the back of the chair. Tight leather strap around her throat, a wide belt. We wanted leather straps/belts rather than bondage cuffs. If you have worn tough brown leather, that would be good, but as long as they are leather straps it’s good. She’s covered in sweat or droplets of oil the whole time. Shaved or trimmed vagina, no big bush.


2.2. She has a stained pillowcase over her head. It’s been used on a hundred victims before, it’s foul. She’s wearing a white bra and high-hip thong or g-string like the pictures. The bra has to really push her big boobs up. Bra and panties are a bit stained/dirty where she’s been captured and stripped.


2.3. Big electro-torture device with jump leads on the floor with a bucket of water for the sponges. A few big water bottles next to the bucket for later. On the table is a big pot of salt (hopefully camera picks up the SALT label). Nasty torture items on the table. They won't be used, we wanted electro-only. A metal baseball bat, a taser, a claw hammer and some horrible big nails, pliers, blades, anything sick and nasty you can think of. Anything with spikes or metal that she might think is going inside her. Maybe a couple of power tools, a drill. I want to see the items and feel the fear.


2.4. Move the camera over the electro devices, and slowly over the torture tools, while we hear her breathing through the bag on her head. I want to create an atmosphere of fear so the butterflies start in my stomach and my vagina contracts when I watch it. Camera closeups on her sweaty/oiled body. Watching her big breasts rise and fall with her strained breathing. Closeups on her vagina and her neck with the tight strap around it, and the straps across her ankles.

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3. Part 3: The Start


3.1. She hears footsteps and her body jerks and stiffens at the sound, trying to be brave, she knows it's about to begin. mother as Agent Walker walks in (dressed in impractical leather or latex or faux, catsuit kind of clothing. Not too important, just sexy and dangerous). She needs to be subtle smiling, she likes this part of her job.


3.2. She pulls the pillowcase tight from behind victim’s head, so we see the shape of the victim's face/nose/chin through the fabric. A smile of sexual pleasure from mother . She loves her job. Victim moans a bit and tries to struggle by flexing rather than just shaking. mother just smiles, she's seen it all before.


3.3. mother pulls the bag off her head and we see the victim's face for the first time, covered in sweat, as sweaty as the rest of her body.


3.4. Very important: Cleave gagged with huge cloth. Lots of it. Old dirty towel or T-shirt, used to be white, now dirty. Probably been in dozens of victim’s mouths, God knows what’s on it. It has to really be forcing her jaw open wide and tall, and it has to be tied in there really tight. The gag is a serious torture all by itself, and it’s been in her mouth for hours already.


3.5. mother bends down to whisper in her ear "I'm going to hurt you now." She changes to the other ear. "Let me know when you're ready to talk about The Blacklist."


3.6. Victim sees the torture-tools on the table and she freezes in fear. Her eyes are wide as she imagines what’s going to happen to her. The table needs to be almost out of her restricted eye line. We wanted her sort of looking forward, held in place with the neck restraints, straining her eyes to one side to see the torture-tools. Need close-ups on her eyes for the fear as they are straining to look to one side. Cutting to her point of view, staring at the horrible items on the table, and then back to her terrified eyes. And the jump leads, and back to her eyes etc. This is a really important part for me as I like the fear as it makes the story for me.


3.7. mother runs her hands slowly over the tools, making up her mind and teasing the victim. Stops at the hammer, picks it up almost sensually as if it’s her favorite. Gives the victim a look as if to say “Maybe later your knuckles will feel this.” Pauses at a few other objects, touching them and wondering what she would do to the victim. Victim stiffens each time mother picks one. Finally she chooses a knife or big scissors. Victim terrified. mother cuts victim’s bra off. Victim moans in fear now she is more exposed. mother cuts the panties off too. mother admires the victim’s giant tits. She straddles the woman’s lap (or sits on 1 leg, I don’t know how far you can stretch!) nice close and personal. Looks her in the eye and starts squeezing her big sweaty jugs, always staring her in the eye to show her who’s in control. We want to see the massive things in your hand and feel them like you do, bulging heavy weight squeezed in your hands.


3.8. mother jumps up and goes to the table.

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4. Part 4: Shocks

4.1. mother runs her hands over the tools and chooses a taser, and shocks victim’s bicep. Victim stiffens and bites down on the gag, her tits bounce, loud moans but she refuses to scream. Yet.


4.2. mother Shocks her straining neck, breasts, vagina, stomach, under her jaw. All one after the other, 2-seconds jabs. Each of these shocks has the victim viciously bite the gag in agony, growling from her throat, lips pulled back teeth seen biting the cloth. Screams a few times eventually. Neck straining against the strap. "Just getting us both warmed up," mother says.


4.3. Victim is breathing very hard through her nose, trying to get enough air. mother sits back down on victim’s leg/lap. “Look at me.” Victim averts her eyes. “LOOK AT ME YOU FUCKING CUNT!” mother getting angry for the first time. She reaches forward and forces victim’s eyes open. Fingers holding her eyes open really wide for some long close-ups of her straining eyes. Finally releases her eyelids, and camera gets some more extreme close-ups of her eyes as they move in fear.


4.4. mother grabs a big breast with both hands and squeezes it "Let's see what these things can take."


4.5. mother puts on some rubber gloves to protect herself. Does it so the victim sees. If you can get longer rubber surgical gloves, that's awesome. Others good old surgical gloves will do, put on with a snap to mock the victim.


4.6. Now she switches to the classic jump leads with sponges. mother walks to the bucket, victim desperately straining her eyes to see as she fights for breath, chest and stomach heaving with each sweaty breath. mother opens a water bottle, and casually starts to fill the bucket, building the tension for victim. Then a second bottle added to the bucket, victim getting more afraid. Finally mother opens the salt and pours it into the water. She gives the victim a little smile as she’s straining to see what mother is doing. “Extra salty, for extra conductivity!”


4.7. Fresh panic and a moan of fear from the victim now. mother walks over and ties a narrow blindfolded, tight cloth tied over her eyes (ripped up her T-shirt perhaps). Needs to look rough, used to be white, now dirty. Victim strains some more and breathes hard through her nose, heartbeat exploding in fear and anticipation. Some very muffled moans through her huge gag with apprehension.


4.8. mother starts dipping the jump lead-sponges in the water, then dripping the water off loudly, causing more fear in victim. Does it a couple of times, smiling at she plays with victim. Finally she puts one on each shoulder. These cause the big screams through the gag. Shocks her boobs and pussy, nipples, stomach, legs chest, jaw.


4.9. This is the VERY important part for us: The torture is supposed to hurt! Too many of your competitors treat an electro-shock like a stubbed toe. We want her to flex out of the chair and scream from the bottom of her lungs, rather than say "Ow!". We want to see her body strain with each shock. She's biting down on the gag and screaming through the gag. Really needs to let it out of her lungs.


4.10. A couple of times, mother slowly drags the jump lead across the victim's chest, shoulder to shoulder across her collarbones, taking her time. And then a bit lower above her breasts, again just taking her time casually dragging the jump lead while her victim screams. (My partner does that to me with a violet wand, we want to imagine what it's like for 'real').


4.11. After a nice long torture, victim . Maybe fade to black, give Cindy a drink?


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5. Part 5: Butt-Bat


5.1. mother slaps victim awake, and pulls the blindfold off. Hair is a ganky mess of sweat, and roughed up after the thrashing around. Sweat still dripping off her body.


5.2. mother lifts the metal baseball bat from the table. Victim starts to moan, thinking she's going to be hit.


5.3. mother starts to oil up the baseball bat with her free hand. Slowly, sensually. Slowly, smiling at the victim, as if she's lubing her husband's cock. "Have you got a nice tight ass?"


5.4. Victim realizes what is going to happen next and starts to panic. Shaking her head, eyes wide, trying to beg through the gag. Violently trying to shake the chair/restraints to escape.


5.5. mother walks behind the chair and squats down. We only see what happens from the front and side as she slowly screws the metal bat up the victims ass from under/behind the chair. If you can get a “before” shot of Cindy ’s actual butt-hole, we’d love it. But I’m guessing the actual real position would be impossible. Victim is really biting down and screaming through the gag, eyes wide in fear and pain. Cut to closeups of her red screaming face and eyes. mother is straining to get it up there twisting it back and forth :"Open up you stupid bitch! Let me in or I'll do your cunt next."


5.6. Finally it's right up there (Don't know how you'll secure it, we don't want to see how you faked it, just want it to look like it's held by her bum from the front/side shots).


5.7. One jump lead is attached to the bat, then she's shocked with the other jump lead all over again. Boobs, vagina, chest, jaw/chin/neck (we like facial abuse) until she .

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6. Part 6: Final



6.1. mother Slaps victim awake. She still covered in sweat, still has the bat up her bum, and the tags between her oily melons.



6.2. mother pulls victim’s head back viciously, and ties it like that. Right back over the back of the chair, so she's looking straight up. Perhaps tie her by her hair, or a strap around her forehead. As long as it looks real and painful. I guess you’ll need to take the neck strap off or loosen it unfortunately.



6.3. Some closeups of her new painful position and scared eyes. Neck straining under the leather strap if possible.



6.4. mother gives the end of the bat a kick. Victim moans. Harder kick, she screams.



6.5. mother gets the taser out again, and shocks under her chin. Would like close ups here, so we can see her biting the gag and her face straining. Shocks under her lips, chin, and under her jaw, and all the flesh in the area up to the strap around her neck.



6.6. "Do you want to see it close up?" She whispers and shocks her under her eyes, and then holds an eye open and shocks her eyes a few times. (Obviously we want closeup of her eye being held open.)



6.7. mother stands and unties victim’s head and neck to let her breathe properly, and get her head upright so it can thrash around for the next bit.



6.8. mother whispers in her ear "Cunt time!" Starts holding the taser in place on her vagina for 5-10 seconds as the whole body tries to flex out of her chair. mother smiles. This was what she enjoys.



6.9. mother sits in her lap again, or on a single leg, up close and personal. Staring into each other’s eyes as she repeatedly shocks her tits and pussy. mother is listening to the screams, with an orgasmic smile and shiver running through her as she’s inches from the screaming straining face, maybe rubbing her clit on victim's leg? Or her own hand to her own pussy, getting herself off?



6.10. mother is finally done. “Well done Cindy You passed the test. Welcome to the Blacklist task force.”



FUCK YOU, MOM,


UARRGGGHHHH UARRRGGGHHHH


shut the hell up, Cindy. or I will pull your tongue out


ARRRRGGGHHHHH


heh heh heh hehh

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[kassyS]

mother: I keep "the girl" (Cindy) tied in the basement and hooded when I am not using her. Today, I feel like torturing her tits. They are not the biggest in the world... not even close, but there is plenty to work with. She is bound to a chair, hooded, with her wrists bound around a post, in the dark. I turn on the lights and start making her bondage tighter and more secure. I then remove her hood and immediately stuff a large wad of gauze in her mouth, before sealing it in with tape. I like a slow buildup of intensity, so I start by making a simple wire bra. I clover clamp her nipples and soon I have them pulled tight and tied to each other up and around the back of her neck. I continue adding rope to her chair tie as she endures the clamps. At the end of the clip, I take the clamps off

Now that her nipples are nice and sore from the clamps, I add suction to them. I then make her gag more effective and tighter by adding many wraps of black tape. I leave the suction cups attached as I bind her tits with thin cord. I finally remove the suction before intensifying her breast bondage with rubber bands. More rope is used to secure her to the chair and the post

Her tits are really bulging from their base now after twisting some wire around them. I remove her gag and replace it with an open mouth variety before I tape her head to the post. I then grope and slap her tits a little. I continue making her bondage more strenuous. The Girl's moans start intensifying now as well... especially when I pull and tie her elbows around the post, and even more when I add 3 heavy spring clamps to her tightly bound tits. Her moans turn to yelps and screams as I slap her bound and clamped tits with a thin wooden paddle. I am ready for a nap at this point, so I remove her gag and put the hood back on her like I originally found her. I tie it to the post as well. She begs very nicely for me to remove the clamps, so I do. I turn out the lights and leave her until I am ready to use her again. I think I'll use that open mouth gag on her again when I return.


heh heh hehh, you are a good girl, Cindy

ARRRRGGGGHHHJJJJJHHHHH

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[kassyS]

mother: Cindy is taken to the back room for some strict bondage. She's hooded and her wrists are bound behind her back. I aggressively slap and grope her perky tits, before I tightly rope gag and neckrope her. This will keep her in one place. A tight crotchrope is next and then her thighs are bound. Her elbows are pulled together and tied as well. I turn off the lights and leave her for a while. I'll let her wear herself out for a while, before I return. Cindy mmmpphs and struggles to stand in her 6 inch heels while hooded and neckroped for quite some time before I finally return. Although I like her elbows tied, I'm in the mood for a reverse prayer. I untie her arms and position her arms for just that.




I tie and cinch Cindy 's arms in a reverse Prayer position before I finally remove her neckrope and hood. I snip off her panties, which have been wedged deep in her pussy and pull them off and out from under the buried crotchrope. I shove them in her mouth and order her to hold them there as I tie a rope into her hair. I then tape them in with a full roll of microfoam tape, before helping her to the floor. Poor Cindy 's nose is all stuffed up and she struggles to breathe with the panties taped so tightly in her mouth. She eventually starts to choke and I remove her gag. I tell her that if she's quiet, I'll give her a treat and wait a bit. I tie a spreader bar to her ankles. A rope is tied to it and pulled to the post in front of her. Her chest harness is pulled to the post behind her. Cindy yelps and moans as she is bent backwards into a severe arching legs spread hogtie




Pure agony for Cindy as she endures her bondage, but her ordeal is far from over. I quiet her sobbing a little by cleave gagging her with an elastic bandage. She finally calms down a little, but it is short lived. She whimpers and sobs uncontrollably when the nose hooks are applied and then the intensity increases again when her nipples are clover clamped and tied to the post in front. I leave her to endure. When she finally regains her composure, I return and remove her shoes. I use a thin wooden paddle to smack the soles of her feet. I give some attention her her tits and ass as well. Once again Cindy sobs uncontrollably... lots of tears and snot. I have others to attend to as well, so I finally turn out the lights and leave poor Cindy to endure her bondage by herself.

be a good girl, Cindy

urrrggghhhhh

heh heh heh heh

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[kassyS]

mother: Cindy stands with her wrist bound behind her back and cocooned in a nylon sack. It is tied off at the top and tied overhead. Cindy gyrates and struggles in the bag for our enjoyment. After a while, I walk in and flip on the lights. I gag and neckrope her. I then spend some time groping and manhandling her tight body through the nylon. I bring out the packaging tape and start the mummification process. By the time I'm done her entire body is taped up except for her head, tits, and feet. I untie the ropes from above and then add more rope wraps to her gag. I pinch her nipples and grope her, before I put her on the floor


heh heh heh

Cindy lays on the floor as I approach. I remove the rope gagging her and around her neck. I start at her ankles and start wrapping her body in some brown paper with a thin plastic backing. It does not rip or tear and will be a good way to reinforce the tape. I wrap it up to her waist before I add more tape over the top. Her feet get taped as well. I then shove a short paint roller into her mouth and then completely tape up her head and neck. Cindy is now completely mummified except for her tits. Cindy knows I like her to struggle when she's in bondage and she does just that as soon as I am done taping her. She struggles on the concrete floor for the remainder of the clip. Cindy knows that she can still move around a little to much, and that I'm not done with her bondage. She's right



You hear a noise and some clanging. It gets closer and closer until you see a pallet jack roll by ith an empty pallet. I park it, before lifting Cindy onto it. I bind her knees with jute rope over the tape and run it around the back of Cindy 's neck. Cindy moans as I pull it tight. With all the tape and the reinforcements, she's not going to bend much. The rest of the rope is tied around her waist. I then rope her ankles and pull it back. Cindy yelps and moans again as The rope is pulled tight and tied off to the back of her waist. When we started, Cindy was standing with a rope tied to the top of her nylon body bag. That rope is still there. I use it to pull her head back to her waist rope. I tie the rest off to the pallet corners to keep her from rolling forward. Cindy is now packaged nicely. I leave her there for a bit. Cindy has grown a bit to complacent. Some heavy clamps on her nipples fixes that. We here muffled "mmmpphs", moans, and yelps from under all the tape. Her struggling and twitching increase in intensity as well. I wrap tape over the clamps and watch her for just a short while before I jack the pallet up and head out with my tightly bundled package.

heh heh heh

urgggghhhhhhh


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